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References

Australian Copyright Council, 2006, Information Sheet: Artworks & copyright, go to www.copyright.org.au/publications/infosheets.htm and click on ‘Artworks G033’.

Artlink, 1990, vol 10, nos 1-2, Autumn/Winter (special double issue).

Bancroft, B, 1990, Artlink, vol 10, nos 1-2, Autumn/Winter (special double issue).

Bennett, G, 1996, in McAuliffe, C, ‘Interview with Gordon Bennett’, in R Butler (ed), What is Appropriation?, Powers Publications and Institute of Modem Art, Sydney.

Berndt C & Berndt R, 1992, The World of the First Australians: Aboriginal traditional life, past and present, 5th edn, Aboriginal Studies Press for the Australian Institute of Aboriginal and Torres Strait Islander Studies, Canberra.

Bardon, G, 1991, Papunya Tula Art of the Western Desert, McPhee Gribble, Ringwood, Victoria.

Caruana, W, 1993, Aboriginal Art, Thames and Hudson, London.

Crumlin, R (ed), 1991, Aboriginal Art and Spirituality, Collins Dove, Victoria.

Dampier, W, 1698, A New Voyage Around the World, Vol 1, 3rd edn, James Knapton, London.

Davila, J, 1987, ‘Aboriginality: A Lugubrious Game?’, Art and Text, March-May.

Debelle, P, 2000, ‘An Artist’s Legacy of Controversy’, Sydney Morning Herald, 1 June.

De Lorenzo, C, 1988, A Changing Relationship: Aboriginal Themes in Australian Art 1938-1988, S H Ervin Gallery, Sydney.

Foley, F, 1991, ‘Urban Art’, in R Crumlin (ed), Aboriginal Art and Sprituality, Collins Dove, Victoria.

Fry, Tony & Willis, Anne-Marie, 1989, ‘Aboriginal Art: Symptom or Success?’, Art in America, July, New York, p113. Quotation from K Larson, ‘Their brilliant careers’, New York Magazine, 24 Oct 1988, p148.

Golvan, C, 1989, ‘Aboriginal art and copyright: the case for Johnny Bulun Bulun’, European Intellectual Property Review, vol 10.

Greer, G, 1997, ‘Selling off the Dreaming’, Sydney Morning Herald, 6 December.

Isaacs, J, 1992, Aboriginality: Contemporary Aboriginal Paintings and Prints, revised edn, University of Queensland Press, St Lucia, Qld.

Janke, T, 1995, ‘The carpets case’, Alternative Law Journal, February.

Janke, T, 1997, Our Culture: Our Future. Proposals for Recognition and Protection of Indigenous Cultural and Intellectual Property, (discussion paper) Michael Frankel and Company, Solicitors, for the Australian Institute of Aboriginal and Torres Strait Islander Studies and the Aboriginal and Torres Strait Islander Commission, Surry Hills, NSW.

Janke, T, 1999, Our Culture: Our Future. Report on Australian Indigenous Cultural and Intellectual Property, Michael Frankel and Company, Solicitors, for the Australian Institute of Aboriginal and Torres Strait Islander Studies and the Aboriginal and Torres Strait Islander Commission, Surry Hills, NSW.

Janke, T, Minding Culture: Case Studies on Intellectual Property and Traditional Cultural Expressions, available on the World Intellectual Property Organisation’s website at www.wipo.int/tk/en/studies/cultural/minding-culture/index.html

Johnson, T, 1993, Across Cultures, University of Melbourne Museum of Art, Parkville, Vic, and quoted in Williams, D, 1995, In our own image: the story of Australian art, McGraw Hill.

Johnson, V, 1987, Art and Aboriginality, exhibition catalogue, Aspex Gallery, Portsmouth, UK.

Johnson, V et al, 1992, The Copyright Issue, Macquarie University, North Ryde, NSW.

Johnson, V (ed), 1996, Copyrites: Aboriginal art in the age of reproductive technologies, NIAAA and Macquarie University, Canberra.

Johnson, V, 1998, House of Aboriginality CD-ROM, Macquarie University, Sydney.

Marika, B, 1992, quoted in Isaacs, J, Aboriginality: Contemporary Aboriginal Paintings and Prints, revised edn, University of Queensland Press, St Lucia, Qld.

Marrie, A, 1985, ‘Killing me softly: Aboriginal art and Western critics’, Art Network, No 14.

McCullock, S, 1997, ‘Revealed: Black Art Scandal’, The Weekend Australian, 15-16 November.

McGuigen, C (ed), Karnta: Aboriginal Women’s Art (exhibition notes), Association of Northern and Central Australian Aboriginal Artists, Katherine, Northern Territory.

McMahon, M, 1996, ‘The Case of the Counterfeit Carpets’, in V Johnson (ed), Copyrites: Aboriginal art in the age of reproductive technologies, National Indigenous Arts Advocacy Association and Macquarie University, Canberra.

Morgan, J, 1997, ‘Capon calls for more validation’, Sydney Morning Herald, 17 November.

Sayers, A, 1994, Aboriginal Artists of the Nineteenth Century, Oxford University Press in association with the National Gallery of Australia, Melbourne.

Skipper, P, 1991, ‘Three Aboriginal Voices - Three Aboriginal Artists’, in Rosemary Crumlin (ed), Aboriginal Art and Spirituality, HarperCollins Publishers, Sydney.

Strickland, K, 2005, ‘Playing Possum’, The Australian, 28 July, p 14.

Timms, P, 1986, Australian Studio Pottery and China Painting, Oxford University Press, Melbourne.

Tjakamarra, M N, 1991, ‘Three Aboriginal Voices - Three Aboriginal Artists’, in Rosemary Crumlin (ed), Aboriginal Art and Spirituality, HarperCollins Publishers, Sydney.

West, M, ‘Aboriginal Women as Artists’, in C McGuigen (ed), Karnta: Aboriginal Women’s Art (exhibition notes), Association of Northern and Central Australian Aboriginal Artists, Katherine, Northern Territory.

Wharton, W J L (ed), 1893, Captain Cook’s Journal 1768-71, Elliot Stock, London.

Williams, D, 1995, In Our Own Image: The Story of Australian Art, 3rd edn, McGraw-Hill, Roseville, NSW.

Wright, F, 1988, Yuendumu (exhibition catalogue), Alchera International, Sydney, 1988.

Yunupingu, G, 1989, ‘The Black/White Conflict’, in W Caruana (ed), Windows on the Dreaming: Aboriginal Paintings in the Australian National Gallery, Australian National Gallery Canberra & David Ell Publishing, Sydney.

Ziffe, B & Rao P V, 1997, Borrowed Power: Essays on Cultural Appropriation, Rutgers University Press, New Brunswick.

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